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Project CommUnity: Artist draws inspiration from his Mexican Indigenous background

Project CommUnity: Artist draws inspiration from his Mexican Indigenous background
ROB. ALL RIGHT. CAITLIN. THANKS. A LOCAL ARTIST DRAWS INSPIRATION FROM HIS MEXICAN INDIGENOUS BACKGROUND AND ALSO IMMIGRATION COMES FROM YEARS OF EXPERIENCING THE SYSTEM HIMSELF. KETV NEWSWATCH SEVEN’S MADISON PERALES WAS AT 42ND AND CENTER TO SPEAK WITH HIM ABOUT HIS WORK AND HOW IT’S CHANGED THROUGH THE YEARS. I’M STANDING IN FRONT OF ONE OF THE ARTIST’S BIGGEST PROJECTS, AND AS YOU CAN SEE BEHIND ME, HIS WORK CARRIES A TREND OF VIBRANCY AND LIFE. THIS MURAL IS ON THE CENTER FOR IMMIGRANT AND REFUGEE ADVANCEMENT BUILDING, MEANT TO WELCOME PEOPLE TO OMAHA AND NAVIGATE THE EMOTIONS OF A NEW HOME. AFTER BEING UPSET BECAUSE YOU CANNOT BE UPSET FOR SO LONG. LAKE, IT SAD? OMAHA ARTIST DAVID MANZANARES IS CURRENTLY DABBLING IN GLASS AND SCULPTURE. I LOVE MAKING SCULPTURES LIKE LIKE REALLY LIKE FILLS MY BUCKET. HE SAYS HE’S BEEN DRAWN TO ART SINCE HE WAS A CHILD. I LOVE MAKING ART. I DON’T KNOW IF I CAN DO SOMETHING DIFFERENT. NOT ONLY DOES HE DRAW FROM HIS INDIGENOUS MEXICAN HERITAGE, BUT ALSO FROM BEING A FATHER AND TRYING TO INSPIRE HIS KIDS. PART OF BEING AN ADULT WAS BEING A FATHER. HOW DO I MAKE IT SO IT’S EASIER FOR MY KIDS TO BE PROUD OF WHO HE IS? HIS BIGGEST PROJECT WAS LAST YEAR. I WAS THINKING MOSTLY ABOUT THE STAFF AND THE CLIENTS AND THINKING LIKE, HOW DO I CONNECT WITH THEM? HE BROUGHT THIS WOMAN TO THE CENTER FOR IMMIGRANT AND REFUGEE ADVANCEMENT BUILDING. IT TALKS ABOUT MIGRATION, BUT IT TALKS ABOUT COMMUNITY AS WELL. HE ASKED PEOPLE AT SERRA WHAT’S ONE THING THEY COULD BRING WITH THEM IF THEY COULD IN ALL SAID, REALLY, REALLY, REALLY CLOSE FAMILY LIKE. AND IT MADE ME THINK A LOT ABOUT LIKE, WHAT IS THAT WE AS HUMANS, WE VALUE THE MOST. THE SIGNIFICANCE BEHIND THESE BUTTERFLIES EXPERIENCES CAN BE HARD, AND SOME CAN BE BEAUTIFUL, BUT ALL OF IT MAKES YOU WHO YOU ARE. MANZANARES SAYS THIS MURAL’S MESSAGE IS LOUDER NOW MORE THAN EVER. A MESSAGE OF WELCOMING, OF UNITY, OF. ACCEPTANCE. AND THIS IS SOMETHING THAT RIGHT NOW WE NEED TO HEAR A LITTLE MORE THAN MAYBE ANOTHER TIME. HE WORKS WITH A VARIETY OF NONPROFITS THAT HELP IMMIGRANTS AND CHILDREN WITH THE GOAL OF INTROSPECTION. HE’S CURRENTLY WORKING ON A MURAL FOR THE DIGNITY OF HEALING COLLECTIVE. REPORTING IN OMA
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Updated: 10:51 PM EDT Sep 20, 2025
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Project CommUnity: Artist draws inspiration from his Mexican Indigenous background
KETV logo
Updated: 10:51 PM EDT Sep 20, 2025
Editorial Standards
David Manzanares draws deep inspiration from his Indigenous Mexican heritage, his experiences with the immigration system, and his role as a father.His most significant project to date — a vibrant mural on the Center for Immigrant and Refugee Advancement building in Omaha, Nebraska — has become a visual symbol of welcoming and community.“I love making art,” Manzanares said. “I don't know if I can do something different.”The mural, which took more than six months to complete, covers nearly every wall of the CIRA building.Designed to help immigrants and refugees feel welcomed to Omaha, while also reflecting the complex emotions that come with adjusting to a new home.Photos of the mural in progress show a colorful narrative starting with a woman and two children, representing the early stages of immigration and saying goodbye to loved ones. The vibrant colors reflect a blend of nationalities.As the mural progresses, a woman gazes toward the horizon with focus and determination, followed by a line of people walking — symbolizing the journey of migration. Native Omaha flowers are painted along the bottom. The south side of the mural features warm colors and scenes of celebration.“It talks about migration, but it talks about community as well,” Manzanares said.The mural’s design was deeply influenced by those who work and seek services at CIRA. Manzanares asked staff and clients what item they would bring if they could only take one thing with them on their journey. The most common answer: people.“Really close family," Manzanares said. “It made me think a lot about what is it that we, as humans, value the most?”Butterflies appear throughout the mural as a symbol of transformation.“Some experiences can be hard, and some can be beautiful, but all of it makes you who you are,” Manzanares said.The mural reflects not only the struggles and hopes of immigrants but also Manzanares’ own life. He uses art as a form of introspection and a way to inspire his children.“How do I make it so it’s easier for my kid to be proud of who he is,” he said.Now dabbling in glasswork and sculpture, Manzanares continues to expand his creative expression.“It really fills my bucket,” he said.His current projects include a mural for the Dignity and Healing Collective, and he collaborates with various nonprofits that support immigrants and children.Manzanares believes the mural’s message is especially relevant today.“A message of welcoming, of unity, of acceptance. This is something that right now we need to hear a little more than other times,” he said. “But something that no matter what the time is, or even when things are better, it’s a good message to repeat.”

David Manzanares draws deep inspiration from his Indigenous Mexican heritage, his experiences with the immigration system, and his role as a father.

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His most significant project to date — a vibrant mural on the Center for Immigrant and Refugee Advancement building in Omaha, Nebraska — has become a visual symbol of welcoming and community.

“I love making art,” Manzanares said. “I don't know if I can do something different.”

The mural, which took more than six months to complete, covers nearly every wall of the CIRA building.

Designed to help immigrants and refugees feel welcomed to Omaha, while also reflecting the complex emotions that come with adjusting to a new home.

Photos of the mural in progress show a colorful narrative starting with a woman and two children, representing the early stages of immigration and saying goodbye to loved ones. The vibrant colors reflect a blend of nationalities.

As the mural progresses, a woman gazes toward the horizon with focus and determination, followed by a line of people walking — symbolizing the journey of migration. Native Omaha flowers are painted along the bottom. The south side of the mural features warm colors and scenes of celebration.

“It talks about migration, but it talks about community as well,” Manzanares said.

The mural’s design was deeply influenced by those who work and seek services at CIRA. Manzanares asked staff and clients what item they would bring if they could only take one thing with them on their journey. The most common answer: people.

“Really close family," Manzanares said. “It made me think a lot about what is it that we, as humans, value the most?”

Butterflies appear throughout the mural as a symbol of transformation.

“Some experiences can be hard, and some can be beautiful, but all of it makes you who you are,” Manzanares said.

The mural reflects not only the struggles and hopes of immigrants but also Manzanares’ own life. He uses art as a form of introspection and a way to inspire his children.

“How do I make it so it’s easier for my kid to be proud of who he is,” he said.

Now dabbling in glasswork and sculpture, Manzanares continues to expand his creative expression.

“It really fills my bucket,” he said.

His current projects include a mural for the Dignity and Healing Collective, and he collaborates with various nonprofits that support immigrants and children.

Manzanares believes the mural’s message is especially relevant today.

“A message of welcoming, of unity, of acceptance. This is something that right now we need to hear a little more than other times,” he said. “But something that no matter what the time is, or even when things are better, it’s a good message to repeat.”

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